Ready Made Monuments Number 1 - 2019
Ready Made Monuments Number 1 - 2019

3-COLOR REDUCTIVE WOODCUT (7.25” x 15”)

Cara(s) de la Communidad - 2018 (response piece)
Cara(s) de la Communidad - 2018 (response piece)

3-Color Reductive Woocut, Collaged Typewriter Text, Ink Details

This print was done in response to a collection of screenprints acquired by the Tang Teaching Museum at Skidmore College (NY) from Self Help Graphics (CA) in 2018. It will also be featured in the Accelerator series magazine published by the Tang.

Monument Head Var. 1 – 2018
Monument Head Var. 1 – 2018

Woodblock Print, Paper Collage, Pen, Graphite, Typewriter Text

The Fuzz and The Grocer – 2018
The Fuzz and The Grocer – 2018

Woodblock Print, Paper Collage, Pen, Ink, Typewriter Text

Where in God's Name am I Going? – 2018
Where in God's Name am I Going? – 2018

2-color Reductive Woodblock Print

Cactus Fruit Face – 2018
Cactus Fruit Face – 2018

4-color Multiple-block Linocut Print, Paper Collage, Pen, Letterpress Stamps

Blessings from Saint Shmalentine – 2018
Blessings from Saint Shmalentine – 2018

Linocut Print

New Pilgrim Head – 2018
New Pilgrim Head – 2018

Linocut Print on Envelope, Red Stamps, Pen

Early Humans – 2018
Early Humans – 2018

Linocut Print, Magenta Ink

“…so the tongue promised, and the mind did not.” (Plato’s Symposium Excerpt)

Corn God – 2017
Corn God – 2017

3-color Reductive Woodblock Print

“Only yellow corn and white corn were their bodies, only food were the legs and arms of man.” (Popol Vuh excerpt)

If That Were A Human-Sized Snare It Would Just Be A Door – 2017
If That Were A Human-Sized Snare It Would Just Be A Door – 2017

4-color Reductive Woodblock Print

As For Those Found Sour (the Mug & the Elephant) – 2017
As For Those Found Sour (the Mug & the Elephant) – 2017

3-color Reductive Woodblock Print with Hand-Inked Lettering

“As for those found sour, pouting out loud

folding inward with gnarled envy

all attach handles, steady jaw mandible

poor candle did burn until dawn

personages do dwell on friends in reflection

perhaps some days apart are in order”

Jarra Bolteado – 2016
Jarra Bolteado – 2016

Aluminium Plate Lithograph

“Flipped Mug”

Face in Face – 2016
Face in Face – 2016

Lithograph

Monument with Star – 2016
Monument with Star – 2016

Lithograph

Rebus – 2016
Rebus – 2016

Lithograph

Fractured Monument of Our Dear Figurehead – 2016
Fractured Monument of Our Dear Figurehead – 2016

Lithograph, White Opaque Watercolor

Stages of the Beast's Cycle – 2016
Stages of the Beast's Cycle – 2016

Lithograph

Forms (black) – 2016
Forms (black) – 2016

Polyester Plate Lithograph

“Some have been known with glinting bitter sheen, born androtten of barren blood, drag on dreary walks”

Forms – 2016
Forms – 2016

2-color Polyester Plate Lithograph

“Some have been known with glinting bitter sheen, born androtten of barren blood, drag on dreary walks”

You've Been So Patient – 2016
You've Been So Patient – 2016

Polyester Plate Lithograph

“and that’s where the straw comes in

it takes a wrench to the supports

bashing away with graphic efficiency

‘thank you for waiting’

C R U N C H

but you decide against it

would you really take to crippling?

bevelled round the corner

pads of my fingers sit sweat and comfortable”

Ready Made Monuments Number 1 - 2019
Cara(s) de la Communidad - 2018 (response piece)
Monument Head Var. 1 – 2018
The Fuzz and The Grocer – 2018
Where in God's Name am I Going? – 2018
Cactus Fruit Face – 2018
Blessings from Saint Shmalentine – 2018
New Pilgrim Head – 2018
Early Humans – 2018
Corn God – 2017
If That Were A Human-Sized Snare It Would Just Be A Door – 2017
As For Those Found Sour (the Mug & the Elephant) – 2017
Jarra Bolteado – 2016
Face in Face – 2016
Monument with Star – 2016
Rebus – 2016
Fractured Monument of Our Dear Figurehead – 2016
Stages of the Beast's Cycle – 2016
Forms (black) – 2016
Forms – 2016
You've Been So Patient – 2016
Ready Made Monuments Number 1 - 2019

3-COLOR REDUCTIVE WOODCUT (7.25” x 15”)

Cara(s) de la Communidad - 2018 (response piece)

3-Color Reductive Woocut, Collaged Typewriter Text, Ink Details

This print was done in response to a collection of screenprints acquired by the Tang Teaching Museum at Skidmore College (NY) from Self Help Graphics (CA) in 2018. It will also be featured in the Accelerator series magazine published by the Tang.

Monument Head Var. 1 – 2018

Woodblock Print, Paper Collage, Pen, Graphite, Typewriter Text

The Fuzz and The Grocer – 2018

Woodblock Print, Paper Collage, Pen, Ink, Typewriter Text

Where in God's Name am I Going? – 2018

2-color Reductive Woodblock Print

Cactus Fruit Face – 2018

4-color Multiple-block Linocut Print, Paper Collage, Pen, Letterpress Stamps

Blessings from Saint Shmalentine – 2018

Linocut Print

New Pilgrim Head – 2018

Linocut Print on Envelope, Red Stamps, Pen

Early Humans – 2018

Linocut Print, Magenta Ink

“…so the tongue promised, and the mind did not.” (Plato’s Symposium Excerpt)

Corn God – 2017

3-color Reductive Woodblock Print

“Only yellow corn and white corn were their bodies, only food were the legs and arms of man.” (Popol Vuh excerpt)

If That Were A Human-Sized Snare It Would Just Be A Door – 2017

4-color Reductive Woodblock Print

As For Those Found Sour (the Mug & the Elephant) – 2017

3-color Reductive Woodblock Print with Hand-Inked Lettering

“As for those found sour, pouting out loud

folding inward with gnarled envy

all attach handles, steady jaw mandible

poor candle did burn until dawn

personages do dwell on friends in reflection

perhaps some days apart are in order”

Jarra Bolteado – 2016

Aluminium Plate Lithograph

“Flipped Mug”

Face in Face – 2016

Lithograph

Monument with Star – 2016

Lithograph

Rebus – 2016

Lithograph

Fractured Monument of Our Dear Figurehead – 2016

Lithograph, White Opaque Watercolor

Stages of the Beast's Cycle – 2016

Lithograph

Forms (black) – 2016

Polyester Plate Lithograph

“Some have been known with glinting bitter sheen, born androtten of barren blood, drag on dreary walks”

Forms – 2016

2-color Polyester Plate Lithograph

“Some have been known with glinting bitter sheen, born androtten of barren blood, drag on dreary walks”

You've Been So Patient – 2016

Polyester Plate Lithograph

“and that’s where the straw comes in

it takes a wrench to the supports

bashing away with graphic efficiency

‘thank you for waiting’

C R U N C H

but you decide against it

would you really take to crippling?

bevelled round the corner

pads of my fingers sit sweat and comfortable”

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